Archive for the ‘NYSWU Presentations’ Category


NYSWU presents a live production event @ the LOOVE, 58 N 6th St. Brooklyn


David Gibson, trombone / Josh Evans, trumpet / Theo Hill, rhodes / Alex Claffey, bass / Kush Abadey, drums

A vital voice on the jazz trombone, Thelonious Monk Competition finalist David Gibson has played alongside luminaries such as Slide Hampton, James Moody, Jimmy Heath, Jon Faddis, Randy Brecker, and Roy Hargrove.
“Out of all the young players I hear in the music today, David is one of very few who speaks the language of jazz.” – Curtis Fuller



Nick Grinder, trombone / Charlotte Greve, alto saxophone / Manuel Schmiedel, piano / Sam Anning, bass / Mark Ferber, drums

Friday February 21st • 6:30pm Doors

7:00 PM

Nick Grinder, trombone
Charlotte Greve, alto saxohpone
Manuel Schmiedel, piano
Sam Anning, bass
Mark Ferber, drums

8:00 PM

David Gibson, trombone
Josh Evans, trumpet
Theo Hill, rhodes
Alex Claffey, bass
Kush Abadey, drums

RSVP MANDATORY, as this is a private event

@ The LOOVE, 58 N 6th St. Brooklyn, NY 11249

NYSWU, New Year, New Events, New You!

Hear ye, hear ye, NYSWU now taking applicants for 2014 slide worthy events! Have a cookie while you work, it makes everything better for all people.

Silent Solos & Steering Shebang for Trombone

This week marked the start of December and many a child’s final count down to Christmas. This Friday we celebrated the early present that was the return of NYSWU, at Loove Arts. We stacked the deck with a line up of able bodied slidespeople and coaxed what was required out of them with clever lighting, baba ganoush and a shared urgency to alight a brassy noise on all in attendance. Results were as follows.

Stay tuned for dates on our bimonthly examination of maybe more approaches to similar conundrums starting in the new year.

Roswell Rudd / Steven Bernstein- Nyswu performance, 12/09

Solo trombone performances, summer 2009

Jacob Garchik / Jacob Sacks duo- NYSWU performance

CURHA- Decoupage NYSWU performance at 58N6

Brian Drye’s Scopa Trio- NYSWU performance 2009

Trust in the Key of DG

Recently David Gibson brought his Organ 4tet featuring Jared Gold (organ), Julius Tolentino (alto sax) and Jakubu Griffin (drums)to NYSWU for an excellent night of music. We asked David for the secret behind such a cooking ensemble and here’s what he had to say:

I first played with Jared Gold around 10 years ago. It was a brief encounter, but memorable. It was several years before we were musically reacquainted. We began our musical relationship anew on a one-nighter at Fat Cat that has since turned into a steady gig. Jared’s creativity and unabashed sense of musical liberty was daunting at first, but has helped me to grow immensely and I’m consistently surprised by the destinations at which we arrive in our musical conversations.

Conversation is the consistent quality in the music and all of the guys on this performance are hip. Julius and Jakubu both offer a great deal of fire and intensity which balances out what I consider to be the softer side of Gibbo. Each of them inspires me to greater intensity, even if it’s expressed by alternative means.

The best thing about this group to me, the composer, is that “my” music always becomes “our” music…and I welcome that. I embrace their input, whether in the moment or in a rehearsal or at the bar on the break. I trust these guys.

Ergo is a Band

Ergo: Multitude, Solitude

At NYSWU’s recent Electronics and Trombone symposium, Brett Sroka graced our ears with the sweet stylings of his band Ergo, featuring Sam Harris on rhodes electric piano/synthesizer/piano and Shawn Baltazor on drums. Needless to say, the set was enchanting and the whole NYSWU audience was grateful for their musical contributions to the greater beauty of our world. Like all NYSWU events, both Ergo and the Rick Parker Trio’s set that night were recorded, and now I can’t wait to have them finished so we can share with the world, but to hold us over for the time being, here are some words from Brett about his approach to the trombone, to electronic, to Ergo and to the New York Slideworkers’ Union…

Trombone and electronics seem like an odd pairing, but when I think back on it my path to combining them feels rather organic. Like many trombonists I’ve had a conflicted relationship with the instrument, feeling inferior to slicker, more glamorous instruments, and marginalized in even the most marginal styles of music. At some point I began to think that any contribution I made on trombone would be largely ignored and irrelevant, so out of that frustration I started looking for other avenues of expression and got entranced by electronic music. However, as my understanding of electronic music developed my approach to the trombone began to change as well. To integrate the two seemingly disparate worlds, centuries apart in technology, I started thinking about the instrument in more textural, timbral and lyrical ways and in realizing it’s unique possibilities I found new fulfillment in playing it and in making music. At the performance we discussed the objective in making this music and my intuition is that the objective is less important than the experience. The best experiences of life are beyond words, even beyond thoughts, as with the experience of music (when it really gets you). Our experience making it might be something like being at the bottom of a well, and yours listening like being at the top. You may be able to draw water or not, we can do our best to play it, but that will largely depend on you, your perspective and your experience of life. While generally I make music for my own pleasure and my own experience, I also do it with the aspiration that it could be worthy of yours.

Learn more about Brett and Ergo:

Return top